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Comparison of fatigue fracture criteria for torsion
Roh, Marek ; Slámečka, Karel (referee) ; Horníková, Jana (advisor)
The main goal of this bachelor thesis is to determine which criteria better suits the life prediction of the test sample loaded in the pulsating torsion. In the first part of this thesis fatigue failure will be examined, then fluctuating stresses will be characterized along with shear stress. Characteristics of the materials used will be specified in the second part. Lastly, the most appropriate criteria will be determined.
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Comparison of fatigue fracture criteria for torsion
Roh, Marek ; Slámečka, Karel (referee) ; Horníková, Jana (advisor)
The main goal of this bachelor thesis is to determine which criteria better suits the life prediction of the test sample loaded in the pulsating torsion. In the first part of this thesis fatigue failure will be examined, then fluctuating stresses will be characterized along with shear stress. Characteristics of the materials used will be specified in the second part. Lastly, the most appropriate criteria will be determined.
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The Problems of the Symbolic Functions in the Aesthetics of Nelson Goodman
MAJER, Karel
My BA thesis engages in possibility of symbolization in fine art. The main theoretical implement is the differentiation of elemental types of symbolic functions, which Nelson Goodman elaborated in his works. The thesis will present the basic motives of Goodman?s philosophy of art at first. Then the thesis will try to use the motives for interpretation of selected paintings of Wassily Kandinsky.
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Music As A Sign
JAROLÍMOVÁ, Jana
The thesis is interested in the problem of musical sign. In which ways can we speak about musical sign and which elements of musical material can become signs? These are the basic questions which we are interested in. This thesis is divided into three parts. The first part attends to the common theory of sign. The historical survey with the main ideas of philosophers and thinkers will be helpful to find out basic terms and problems of semiotics. In the second part of thesis we look at the historical reflection of musical sign in order to find out in which way it was treated with music and musical sign in each historical period of European music. In the third part we focus on musical semiotics, but we will consider some problems of musical aesthetics and musical psychology, too. In the end we make recapitulation of answers to the aforesaid questions.
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